Showing posts with label David Beer. Show all posts
Showing posts with label David Beer. Show all posts

Thursday, 2 November 2017

Future Sociology – PhD at York (2)


Daniel Robins on Necro-Waste
I am just approaching the end of my first year as a Sociology PhD student here at York. I have two fantastic supervisors: Ruth Penfold-Mounce and David Beer, whom I have been working closely with to develop my project on necro-waste. I did not start with the concept; it just found me about two months in. It affirmed to me that a PhD is always in progress, always amenable to change.
My research focuses on this idea of necro-waste, which is essentially the analogy of corpse parts as waste. By drawing on theories of value, I am exploring the value attached to and generated out of necro-waste as it passes through the UK Death Industry. It’s highlighted at three stages.  The first of these is the gatekeeping stage. This is where the necro-waste is prepared for disposal by the funeral director. Two methods of disposal are then explored; disposal through cremation and disposal through natural burial. This is because these produce two different types of waste; dry waste and wet waste. Each of these offers the opportunity for the necro-waste to be commemorated. As such, the third stage focuses on the artists that reuse cremated remains in these commemorative rituals. This stage also explores what becomes of the natural burial ground.
In the background, I have also been writing through some ideas. I recently published a piece for Discover Society, where I conceptualise Ian Brady’s remains as akin to radioactive waste, otherwise known as ‘toxic necro-waste’. The SATSU department here at York also provides PhD students with a lot of opportunities. I was able to extend these thoughts and write them on the SATSU Threshold blog. Each of these encouraged me to write an article on the Social Epistemology Review and Reply Collective, where I discuss toxic necro-waste further. I understand it as a concept that can be used to further extend the study of necro-waste.
Writing these has helped me as a PhD student in a couple of ways. First, as the PhD is always in progress, it’s helped me to develop some of the ideas in my thesis. Second, it’s provided content, along with my research, to discuss at conferences through both talks and networking with fellow death researchers. Last, it's helped build my confidence as an academic and develop my writing.
I am trying to treat my PhD as an apprenticeship and am actively seeking as many opportunities as I can. I am on the board of studies, and am working with other Sociology PhD students to develop this year’s York Sociology Postgraduate Conference on ‘embodiment’. I also teach two seminar classes on the first year undergraduate module ‘Introducing Social Psychology’, which I really enjoy. So, it’s been a busy, but excellent year.

Tuesday, 25 July 2017

Thresholds - A pop-up symposium


22 September 2017
University of York


21 Exciting abstracts have been accepted !

Spaces now limited - book via eventbrite ASAP

This event platforms scholars working across the humanities and social sciences around the theme of ‘thresholds’. It explores perspectives on the liminal edges of everyday, organisational and social life. What and who reside beyond or within different types of thresholds? Who has to cross thresholds? What prevents people or things crossing? How does power operate through different thresholds? How do thresholds articulate with limits, extremes, dangers and tipping points? These are just some of the questions explored in this one day symposium.

Thresholds is intended to bring together diverse disciplines including sociology, politics, history, anthropology, women’s studies, critical management, human geography, social policy. The format will be short papers (10 mins) followed by discussion.

Organisers: Joanna Latimer, David Beer, Nik Brown, Rolland Munro

SATSU – Sociology – University of York

Time and Place: 10:30 to 15:30; Berrick Saul Building, The Treehouse - University of York


REGISTER HERE

Supported by: the University of York ‘Culture and Communication’ Research Theme; The Department of Sociology; Science and Technology Studies Unit (SATSU)

Tuesday, 5 July 2016

The carnival of uncertainty

It is probably not too dramatic to say that the UK’s EU referendum result has sent a wrecking-ball through the political order. Many articles have made such proclamations. We are now left adrift in the wreckage, a wreckage that is documented in the rapidly multiplying reams of Brexit news stories, commentary and explanation. It is hard to be sure of where we stand – or what we stand upon. Echoing an observation made by Foucault in the mid-1970s, there is ‘a sort of general feeling that the ground is crumbling beneath our feet, especially in the places where it seemed most familiar, most solid, and closest to us’. We have probably all had moments, in recent days, when we have felt disorientated amongst the wash of comment, opinion, claim and counter claim. What permeates through this flow of information and chaotic wrangling is an overwhelming sense of uncertainty. This uncertainty is writ large in the many attempts to explain what has happened and why. It just seems impossible to pin down the reasons and the consequences. The cross-cutting divisions seem too hard to grasp, the old notions of social divisions somehow seem to radically over-simplify what is happening or they just seem outmoded as a framework for coherent explanation. The party political divisions currently offer little hope to those seeking some sanctuary, especially as the parties themselves have imploded over the results. The various attempts to explain and understand the malaise reveal just how impossible that task actually is.

Perhaps then, we can think of the moment we are experiencing in terms of this existential and inescapable sense of uncertainty. In short, we can’t easily explain what is happening because we are not sure. And neither should we be sure. It seems a good moment to revisit and question a range of our established certainties. There seems to be particularly profound danger in any recourse to blunt and ill-informed certainties in this moment – such things could easily fill the vacuum as people try to give themselves a feeling of security and certainty in the onslaught of gusting insecurity and uncertainty. There have been calls for greater understanding, and these should certainly be heeded. But they won’t come easily given the current circumstances and how they might unfold in the coming weeks and months. The difficulty of such a task is revealed when we think of the emergent class divisions and the sociological complexity of the task at hand.

We can begin by trying to think of how we might imagine and understand this prevalent state of uncertainty. By doing so we might be able then to develop new types of understanding along with a less certain form of social knowledge and even an ability to sensitize ourselves to the direction in which things might be heading. There is something of the flavour of Mikhail Bakhtin’s carnival unfolding. The carnival, according to Bakhtin, provides a moment in which the rules and norms of society are subverted, mocked, disregarded and played with. The carnival, Bakhtin claims, brings the ‘realization that established authority and truth are relative’. The carnival provided the opportunity for the hierarchies and social orders to be temporarily disrupted. This is no celebration, but rather the release of frustrations.

As I write this we seem to be living in a kind of carnival of uncertainty in which the disruptive effects of the referendum have led to the unfurling disruption and subversion of the social order. This might explain why the chaos seems to be contagious and why we are finding hierarchies and social orders being so frequently challenged. The carnival is being made possible by the shared sense of uncertainty and the possibilities for reordering and redrawing the rules and breaking established structures. The prevailing sense of uncertainty is allowing the carnival to spread. It is facilitating the disruption, and meaning that the uncertainty then comes to fuel its own presence.

The carnival of uncertainty is playing out in various ways and with far from predictable or playful consequences. What will happen once the carnivalesque moment has subsided, what of the previous social order will be left? How different will things look once the subversion and disruption passes? These are questions that will be difficult to answer. But they would suggest that we will need to develop a new understanding of that emergent order and what it will bring. It seems unlikely that we can or should retreat to the safety of existing conceptions of the world and of how we can understand it through categories, concepts and ideologies. As certainty returns, it doesn’t mean that our certainties should return with it. We have glimpsed too much in the last few days to know that the ‘fragments of modernity’, as David Frisby once called them, don’t necessarily fit together in the patterns and formations that we may have thought that they did. It is going to take care and urgency to ensure that the response is empathetic and progressive rather than destructive and pathological. Social divisions never went away and neither did the tensions between those, but they could easily get out of hand if blame becomes the means to placate fear ease precarity.  As the fragments fall into place we are already seeing, in the form of scapegoating and rising racially motivated violence and abuse, that the fractions could open up in scary and damaging ways.

Bakhtin’s point about the carnival was that it brought with it a temporary period of disruption and a suspension of the social order, but he does not say that society then goes unchanged by the carnival’s presence. Things don’t necessarily go back to exactly how they once were. In the case of this extreme version of a carnival, driven itself by the conditions of uncertainty, it would seem highly likely that the disruptions, subversions and re-orderings have already been far too great for this particular carnival to leave no traces. One thing is clear, in the current conditions it is going to be very difficult to be sure of what we are seeing, and it we do feel sure of what we are seeing then we are probably misleading ourselves.

 A shorter version of this piece was originally published in OpenDemocracy.
  
David Beer is Reader in Sociology at the University of York, UK.



Thursday, 5 May 2016

Dave Beer on the history of Big Data

Image result for big data
Dave Beer has just had an article published in the open access journal Big Data & Society. The article, which is titled 'How Should We Do the History of Big Data?', argues that we need to think in detail about the work that is being done by the concept of 'big data'. The piece is available here http://bds.sagepub.com/content/3/1/2053951716646135

This is the abstract for the piece:

Taking its lead from Ian Hacking’s article ‘How should we do the history of statistics?’, this article reflects on how we might develop a sociologically informed history of Big Data. It argues that within the history of social statistics we have a relatively well developed history of the material phenomenon of Big Data. Yet this article argues that we now need to take the concept of ‘Big Data’ seriously, there is a pressing need to explore the type of work that is being done by that concept. The article suggests a programme for work that explores the emergence of the concept of Big Data so as to track the institutional, organisational, political and everyday adoption of this term. It argues that the term Big Data has the effect of making-up data and, as such, is powerful in framing our understanding of those data and the possibilities that they afford.

Dave's new book Metric Power will be published in June. And his earlier book Popular Culture and New Media: The Politics of Circulation has just come out in paperback.

Thursday, 7 April 2016

David Beer: Could algorithms be shaping our music tastes?

The 10th anniversary of the music streaming service Spotify, marks a period of significant change in the way that music is consumed. These changes have been widely discussed over the last decade, with questions about the ongoing relevance of CDs and vinyl, the legality of downloading, the damage to the industry and artists of free music and so on. Yet services like those provided by Spotify may not only be changing how we listen to music, they are also active in shaping our actual music tastes.

It is common now for music, TV and film providers to deploy algorithmic systems that attempt to predict and then recommend other cultural forms that we might also enjoy. This is something with which we are now very familiar; recommendations have become a routine part of cultural consumption. Algorithms, which are the parts of code that make decisions, use the data produced by peoples’ cultural consumption to predict tastes and prioritise music, TV, films, games and so on that fit with those tastes. We see this as being a process by which our existing tastes and preferences are anticipated by these apparently intelligent systems.

Given the way that systems are now guiding the culture we encounter, we have to wonder if they are also now actively shaping and possibly even changing the very tastes that they are attempting to predict. The result would be something like a self-fulfilling prophecy, with the recommendations we are made shaping both our consumption and the tastes and preferences that we form. In the case, the power of the algorithm is in its ability to decide on the cultural forms that we encounter. Those encounters are likely to then define our cultural landscape, defining the culture that we become aware of and that becomes visible to us. Naturally the things that pass through our orbit or our consciousness are the things that we are more likely to attach meanings to or to create a connection with. In the current cultural landscape – which is diverse, baffling and fragmented – these algorithms help us to navigate the chaos by enabling culture forms to find us. These algorithms make the unfathomable complexity of culture manageable for us. At the same time though, by making those choices on our behalf they are coming to dictate a good deal of the things we then experience. If we think about the music we listen to – or indeed the books we read, the films we watch, the games we play, and so on – then we might be able to reflect on how much of that has been a product of the activity of algorithms. Some would question the accuracy of those algorithms to predict taste, yet even where those choices might seem odd to us the algorithms are still defining the culture that we encounter.

There has not necessarily been a great deal of agreement in the past about where our cultural tastes and preferences come from. For some they are seen to be innate part of a core personality, for others our tastes are the means by which we are able to construct or build and communicate a more fluid identity. In more sociological terms, it has been argued that our music and cultural tastes are a product of our family and friendship groups, or that they may even be both a product and marker of our social class. But the anniversary of Spotify, which is indicative of the decade or so in which we have lived with the many other algorithmic systems through which we consume culture, might suggest to us that there is something else going on with the formation and maintenance of our cultural tastes. These systems are now so embedded in our cultural consumption that they will inevitably implicate the way in which are tastes are formed. Beyond understandings of cultural tastes as being a product of our personality or our social background, it might be that the active infrastructures in which our cultural lives are lived are also having a bearing on what we like and the tastes we develop. It is not just our listening practices then that may be transformed by Spotify, such services may also be changing the connections and attachments that we have with that music.


The paperback version of Popular Culture and New Media: The Politics of Circulation has just been published by Palgrave Macmillan. For a limited time the book is available with a 30% discount using the discount code PM16THIRTY when you buy the book here http://www.palgrave.com/gb/book/9781137270047





Tuesday, 15 March 2016

2 year Postdoc in Department of Sociology

Image result for postdocThere is a 2-year postdoc post available in the Sociology Department that is being advertised HERE

The closing date is April 12th. 

Please note this is not a post to work with an individual member of staff, but to devise a program of work associated with one or more of our research clusters. 

Informal enquires can be made to Dave Beer (chair of the appointment panel): david.beer@york.ac.uk

Tuesday, 15 December 2015

Fiction and Social Theory

Dave Beer has edited an E-special issue of the journal Theory, Culture & Society on 'Fiction & Social Theory'. The issue brings together 11 articles from the TCS archive. He's also written a detailed editorial introduction to the issue. The articles are all open access for a limited time. Below is a brief abstract for the issue:

This E-Special issue brings together a range of articles from theTheory, Culture, & Society archive that directly explore the relations between fiction and social theory. Each article develops a different perspective on these relations, yet they all share a common interest in probing at the different ways in which fiction might enrich and provoke our conceptual imaginations. These articles ask how theory might be used to understand or illuminate fiction, whilst also considering how theory might be extended, challenged or informed by fictional resources. In general terms, the articles take three types of overlapping approach. First, there are those that use fiction to extend the imagination of social theory. Second are the articles that use fiction as a documentary resource and platform for theorizing. And, finally, there are those articles that use theory to reanimate and re-examine fictional forms. In exploring these three intersecting branches the pieces illustrate the different ways in which fiction and social theory might interweave in our thinking. The articles gathered here provide frameworks, ideas and resources through which the reader might continue to think imaginatively and creatively about the social world.

Friday, 7 August 2015

The Politics of Data in Discover Society

Dave BeerThe new issue of Discover Society magazine focuses on the 'Politics of Data'. Dave Beer has an article in the issue on 'The growing power of the data analytics industry'. You can read the article here - Discover Society

And here is the opening paragraph:

Following the England cricket team’s recent elimination from the world cup, Peter Moores, the England coach, caused something of a stir by suggesting that ‘we shall have to look at the data’. The response in the media was one of consternation – as was the public response based on the 953 comments that the Guardian article alone has already received. Both Moores’ statement and the media response reveal something of the politics of data. Moores’ desire to return to the numbers is suggestive of how embedded and routine data analytics already are in the production and consumption of culture. Data are seen to provide the objective means by which people can be judged or pushed to compete in lots of different ways.

Wednesday, 29 July 2015

David Beer and the Sociological Imagination Blog

In the last couple of months Dave Beer has written three blog posts for sociologicalimagination.org . Each of the three posts deals in different ways with questions of connection and disconnection. 
The blog, which is edited by Mark Carrigan, has been running since 2010 and publishes new sociological content everyday. Sociologicalimagination.org, if you are not already familiar with it, provides a space for sociological reflections on a wide range of topics, and there is a vast archive of materials that have built up over the years - including podcasts and videos as well as articles and reviews. Dave has written a number of pieces for the blog over the years it has been running. 

Dave's three recent pieces focused upon:
Connected and disconnected writing http://sociologicalimagination.org/archives/17968
The new Apple Watch and the problem of our creeping connectivity http://sociologicalimagination.org/archives/17447
You can find links to a selection of some of Dave's other short open access pieces here https://www.york.ac.uk/sociology/our-staff/academic/david-beer/open-access-pieces/

Wednesday, 24 September 2014

Dave Beer Interview - Figure/Ground on his Punk Sociology book

David Beer is senior lecturer in Sociology and his research is mainly in the fields of culture and media in the everyday context, social and cultural theory, and methods and empiricism in social and cultural research. 


He has recently been interviewed by Figure/Ground about his Punk Sociology book. They also discussed academia and disciplines.


The full interview is available online at http://figureground.org/interview-with-dr-david-beer/

Wednesday, 2 July 2014

The latest edition of Discover Society

Three members of staff have had articles published in the past two editions of Discover Sociology. Their articles can be read online at http://www.discoversociety.org/

Dr David Beer: The invisibility of the recording engineer



Prof Stevi Jackson published an article in June's edition of the online magazine. Mother/daughter relationships: cultural difference and modernity

Friday, 31 January 2014

Punk Sociology and David Beer


Last week Dave Beer's new book Punk Sociology was published by Palgrave Macmillan. This is the description of the book:

This book explores the possibility of drawing upon a punk ethos to inspire sociology and to cultivate a vibrant future for the discipline. Aiming to fire the sociological imaginations of sociologists at any stage of their careers, from new students to established professors, it uses punk to think creatively about what sociology is and how it might be conducted. Following a succinct outline of the disciplinary and social challenges that sociology faces today, the book then applies the punk ethos to sociological knowledge, communication and terrain. The concept of punk sociology is developed through a series of riffs, each of which directly applies key features of the punk ethos to sociology.

Punk Sociology encourages sociologists to avoid the temptation to play it safe. Instead it calls for us to be bold, open, inventive, and to produce raw, stripped back and fearless work that adheres to a do-it-yourself ethic.

And here is the endorsement from the back-cover:

“Punk Sociology counts off a passionate and thoughtful call to re-animate the sociological imagination. Dave Beer’s book inspires, provokes and entertains – nevermind the bollocks here is sociology’s future.” Les Back, Professor of Sociology, Goldsmiths, University of London, UK

The book is now available as an ebook, Kindle and Hardback. You can also read the first chapter for free here http://thinkingculture.wordpress.com/2013/12/11/punk-sociology-chapter-1-is-now-open-access/

Narratives of Hope: Science, Theology and Environmental Public Policy (SATSU)

Date and time: Wednesday 10 April 2019, 1pm to 2pm Location: W/306, Wentworth College, Campus West, University of York ( Map ) Audie...